1/21/2024 0 Comments Awa braiding![]() But her emphasis on bodies and music and sound and sight gags keeps her work stubbornly theatrical. At one point, Bea-the shop’s most insistent gossip, with the most unpredictable attitude-is venting her anger at a younger braider, Ndidi (Maechi Aharanwa), who she suspects is intentionally stealing her customers:īioh does this all so smoothly and expertly that her dialogue seems televisual-there are several moments in “Jaja’s” that made me wonder if it would work as a streaming binge instead of a fleet ninety-minute play. Friedman, produced by Manhattan Theatre Club, and directed with velocity and ease by the very talented Whitney White-skips through the hours at Jaja’s salon. “Jaja’s African Hair Braiding”-on Broadway at the Samuel J. ![]() She writes short stories in notebooks, and shares them with Miriam (Brittany Adebumola), a braider from Sierra Leone. But-like so many young people in so many plays-Marie wants to be a writer. Jaja wants Marie to be a doctor, or, as a backup, an engineer. Her future-at least as far as she can perceive it-depends on the marriage between her mother and Steven, but some small, nagging thought tells her she can’t trust that it’s all going to work out. Born in Senegal but an American in every way except in the eyes of the law since she was four years old, Marie is walking a tightrope that’s been thrown across the Atlantic and feeling the sharp winds to either side. She was the valedictorian of her class, but now that she’s graduated she might not be able to go to college-she uses the name and the I.D. Marie went to a private school, where she got great grades and ran circles around her more stably situated peers. To Jaja’s daughter, Marie (Dominique Thorn), who minds the shop and tends to its administrative business, Jaja is a mother with high standards. Jaja and Steven are getting married on this day he’s a well-off-sounding white man, and she’s an undocumented immigrant from Senegal. They take turns affectionately mocking how she says her fiancé Steven’s name-a bit froggy in the throat, the “v” tending toward an “f,” both vowel sounds braggadociously distended. To Bea (Zenzi Williams) and Aminata (Nana Mensah), she’s a demanding boss with a proud streak. She’s described by her employees in the course of a long day in 2019 at the Harlem shop over which she lovingly lords. But, before we ever see her, a portrait emerges. 5th Street or give them a call at (Somi Kakoma), the title character of Jocelyn Bioh’s new play, “Jaja’s African Hair Braiding,” doesn’t show up onstage until the show’s nearly over. Feel free to stop by Mumy Away African Hair Braiding at 5657 N. She feels strongly about the importance of safety around her business and always supports more police engagement with the 35th Police District. Sania and her husband have lived in the community and can serve as role models for businesses on the corridor. She has served as a trailblazer through different marketing techniques in the styling industry by going out into the community with her information and also how she conducts her storefront. Sania has now been on the North 5th Street corridor for 11 years. She came to North 5th Street after her sister bought the store but decided to move, so she passed it on to Sania. She started passing out her business card once she moved to Harlem in New York and networked to gain more customers. When she came to America, she started in Georgia styling women’s hair and was encouraged to open her own business. ![]() ![]() She would do people’s hair and makeup before they made trips or had large events such as weddings and parties. Saniabou Fall started as a stylist in Africa. Mumy Awa African Hair Braiding 5657 North 5th Street Philadelphia, PA 19120 (215) 276-8820
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